Design and Innovation Daily

The films of Charles and Ray Eames

Posted in art, culture, designers, philosophy by Dan on March 8, 2010

Michael Neault wrote a wonderful piece on the films of Charles and Ray Eames, a prolific pair of designers who made a profound impact on design during the 20th century. Noting that the Eames’ films receive less attention than their work in industrial design, architecture, photography, and other areas, Neault discusses the unique artistry of their films, the role of the films within the history of design, and the meaning of the films in terms of the Eames’ philosophy of design.

Carl DiSalvo recently commented on the Eames’ films, looking at the films as “meditations on objects.” Along with that, he posted the film “Lounge Chair Assembly” (1956).

Another film available online is this advertisement for the Polaroid SX-70, the landmark instant camera. The film is a beautiful example of the Eames’ style. Also worth noting is the way the film reflects a systems view of the camera, moving between user and manufacturer, presenting the camera as a technological object, as a useful object, and as a meaningful part of a user’s life.

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